| Catherine Yass is contactable through asprey jacques 020 7287 7675 |
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| Bibliography |
| 2001 |
Lara Grieve; 'Layers of Light', www.bbc.co.uk/artzone/artsfocus, 17 January |
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Fiona Morrow; Metro, ART Catherine Yass, Wednesday, 17 January |
| 2000 |
John Voos; The Independent, Wednesday 13 December (illus) |
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Michael Walter; The Guardian, Wednesday 13 December (illus) |
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Nigel Reynolds; 'Tate's traditional Christmas tree is bolt from the blue', Daily Telegraph, Wednesday 13 December (illus) |
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Nupur Mahajan; 'British photographer to capture Bollywood', Bombay Times, The Times of India, 16 November |
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Abhljit Majumder; 'Shooting Stars, empty theatres with the flash gun', The Sunday Times of India, 12 November |
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'The Camera can be inhuman and controlling', The Free Press Journal, Mumbai, 12 November |
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Celia Lyttelton; 'Now Tracey can be seen in church', Evening Standard 31 May |
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Jonathon Jones; 'Let there be light...', The Guardian, 30 May |
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Julia Weiner; 'Judaism in Focus', Jewish Chronicle, 26 May |
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Gilda Williams, Konfrontace, The Czech Centre London, Time Out #1549 |
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Mark Godfrey; 'A View From Above', The Jewish Quarterly, Spring 2000 |
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Fokus, Iceland; 7 Ð 13 April |
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Fr’da Bjšrk Ingvarsd—ttir; Lesbok Morgunbladsins, 8 April |
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Karel C’sar; 'Modre Svetto / Blue Light', Umelec, Contemporary Art and Culture, 1 |
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Charles Darwent; 'Window-shopping', New Statesman, 13 March, pp. 43 Ð 46 |
| 1999 |
Jason Oddy, 'Focus on a double life' The Friday review, The Independent, 30 July |
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Mark Gisbourne, 'From Domestic Bliss to Dereliction Chic', Contemporary Visual Arts, (illus.), issue 24, p.30 |
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Cherry Smythe, Glen Dimplex Award Shortlist, Art Monthly, #228, Jul/Aug |
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Claran Carty, Glen Dimplex Awards '99, The Sunday Tribune, 18 July |
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Edward Power, 'Oh, so smart is modern art...', The Irish Times, 17 July Aidan Dunne, Glen Dimplex Award, The Irish Times, 15 July |
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'Good conversation is an art in itself', The Evening Herald,, 15 July |
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Aidan Dunne, Glen Dimplex Award, The Irish Times, 14 July |
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Aidan Dunne, Glen Dimplex Award, The Irish Times, Jan. 7 |
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'Prime', Dundee Contemporary Arts, Contemporary Visual Arts, (illus.), issue 22, p.88 |
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R. I., 'The realisation of dream', Tate, issue no 17, Spring |
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'Brave Art for Scotland', Blueprint, March 1999 |
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Sarah Kent, 'Catherine Yass: The Pool', Time Out, 17 February, #1487 |
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Jonathan Jones, 'Unmoving Pictures', Observer, 14 February |
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Simon Grant, 'Exhibitions: Catherine Yass', Guardian Guide, 30January |
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HotShoe International, Project issue no.101 pp.14-18 (cover illus.) |
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James Hall, 'Catherine Yass, Central Club Hote 'l', The Independent, 6 February |
| 1998 |
'Sites of Absence', Contemporary Visual Arts, issue 20 |
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Richard Cork, 'New Art From Britain', catalogue text |
| 1997 |
Robin Muir, 'Photo Finish', Vogue, January |
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Gunnie Moberg, 'Deep, Dark Vision of Mortality', Scotland on Sunday, 9 March |
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Duncan Macmillan, 'Exits to Eternity', The Scotsman, 10 March |
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Ralph Hughes, 'Catherine Yass', Galleries, March |
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Melissa Feldmann, 'Six Projects', Art Monthly, April, no 205 |
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Katja Blomberg, 'Die Wuerde des Lichtschalters', Frankfurter Allgemeine Zeitung, 17 June, no 137, page 39 |
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Parveen Adams & David Ward, 'The Light and the Blue', Portfolio, June, no 25 |
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Angela Levine, 'Adami's Puzzles', Jerusalem Post, October |
| 1996 |
James Hall, 'The British Art Show 4', Artforum, March |
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Sarah Kent, 'Inner London', Time Out, 13-20 March, no. 1334 |
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Tania Guha, 'Catherine Yass', Time Out, 10-17 July |
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Tania Guha, 'Corridors', Portfolio (Catalogue of Contemporary Photography in Britain), no. 21 |
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Libby Anson, 'Luscious, Flayed and Brutal', Make, August/September, no. 71 |
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Martin Herbert, 'Catherine Yass', Dazed & Confused, Novermber, no. 25 |
| 1995 |
Jane Richards, 'Tunnel Visions', The Independent, 12 January |
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Mark Currah, 'C. Yass, C.Wood & A. Rossi', Time Out, 12-19 April |
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Adrian Searle, 'Faces to watch in the art world: Catherine Yass', The Independent, Tuesday 4 July |
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Martin Maloney, 'Catherine Yass', Flash Art, October, no. 184 |
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James Hall, 'Through the mind's eye', The Guardian, Tuesday 14 November |
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Waldemar Januszczak, 'Absent Trends', The Sunday Time 's, 19 November |
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John Stathatos, 'Away from the Pack?: British Art Show 4', Untitled, Winter, no. 9 |
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Robert Garnett, 'The British Art Show 4', Art Monthly, December/January, no. 192 |
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Martin Maloney, 'Glitz and Thrift', Blueprint, December, no. 123 |
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Nick Hallam, 'Springfield Hospital Corridors', Art & Design, no. 44 |
| 1994 |
Simon Grant, 'Ready for my close up', Art Review, December/January |
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Richard Cork, 'At Home with the Modern', The Times |
| 1993 |
Michael Archer, 'Catherine Yass', Artforum, January |
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Althea Greenan, 'Risky Business', Woman's Art, January/February, no. 50 |
| 1992 |
Caryn Faure Walker, 'Discretion', Time Out, 8-15 April |
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William Feaver, 'Maid Eternal (Discretion)', The Observer, 17 May |
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James Hall, 'Art is the loser in a photo-finish', The Guardian, 13 May |
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William Feaver, 'Art (Exhibit A)', p The Observer, 17 May |
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Sarah Kent, 'Photo copies (Exhibit A)', Time Out, 20-27 May |
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Michael Archer, 'Anomie', Art Monthly |
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Greg Hilty, 'On the Brink', Frieze, June-August, issue 5 |
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David Lillington, 'Catherine Yass', Time Out, 4-11 November |
| 1991 |
John Russell Taylor, 'Conceivably, They're Masterpieces', The Times, 16 April |
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David Lillington, 'Ace of Arts', Time Out, 17-24 April |
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Andrew Renton, 'A New Internationalism', Frieze, pilot issue |
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Mary Anne Francis, 'London Summer Round-up', Art Monthly, September |
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Ruth Barter, 'England in Review', Arts Magazine, November, vol 66, no 3 |
| 1990 |
Andrew Graham-Dixon, 'Join the Professionals', The Independent, February |
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