Catherine Yass is contactable through asprey jacques 020 7287 7675
Bibliography
2001 Lara Grieve; 'Layers of Light', www.bbc.co.uk/artzone/artsfocus, 17 January
  Fiona Morrow; Metro, ART Catherine Yass, Wednesday, 17 January
2000 John Voos; The Independent, Wednesday 13 December (illus)
  Michael Walter; The Guardian, Wednesday 13 December (illus)
  Nigel Reynolds; 'Tate's traditional Christmas tree is bolt from the blue', Daily Telegraph, Wednesday 13 December (illus)
  Nupur Mahajan; 'British photographer to capture Bollywood', Bombay Times, The Times of India, 16 November
  Abhljit Majumder; 'Shooting Stars, empty theatres with the flash gun', The Sunday Times of India, 12 November
  'The Camera can be inhuman and controlling', The Free Press Journal, Mumbai, 12 November
  Celia Lyttelton; 'Now Tracey can be seen in church', Evening Standard 31 May
  Jonathon Jones; 'Let there be light...', The Guardian, 30 May
  Julia Weiner; 'Judaism in Focus', Jewish Chronicle, 26 May
  Gilda Williams, Konfrontace, The Czech Centre London, Time Out #1549
Mark Godfrey; 'A View From Above', The Jewish Quarterly, Spring 2000
Fokus, Iceland; 7 Đ 13 April
Fr’da Bjšrk Ingvarsd—ttir; Lesbok Morgunbladsins, 8 April
Karel C’sar; 'Modre Svetto / Blue Light', Umelec, Contemporary Art and Culture, 1
Charles Darwent; 'Window-shopping', New Statesman, 13 March, pp. 43 Đ 46
1999 Jason Oddy, 'Focus on a double life' The Friday review, The Independent, 30 July
Mark Gisbourne, 'From Domestic Bliss to Dereliction Chic', Contemporary Visual Arts, (illus.), issue 24, p.30
Cherry Smythe, Glen Dimplex Award Shortlist, Art Monthly, #228, Jul/Aug
Claran Carty, Glen Dimplex Awards '99, The Sunday Tribune, 18 July
Edward Power, 'Oh, so smart is modern art...', The Irish Times, 17 July Aidan Dunne, Glen Dimplex Award, The Irish Times, 15 July
'Good conversation is an art in itself', The Evening Herald,, 15 July
Aidan Dunne, Glen Dimplex Award, The Irish Times, 14 July
Aidan Dunne, Glen Dimplex Award, The Irish Times, Jan. 7
'Prime', Dundee Contemporary Arts, Contemporary Visual Arts, (illus.), issue 22, p.88
R. I., 'The realisation of dream', Tate, issue no 17, Spring
'Brave Art for Scotland', Blueprint, March 1999
Sarah Kent, 'Catherine Yass: The Pool', Time Out, 17 February, #1487
Jonathan Jones, 'Unmoving Pictures', Observer, 14 February
Simon Grant, 'Exhibitions: Catherine Yass', Guardian Guide, 30January
HotShoe International, Project issue no.101 pp.14-18 (cover illus.)
James Hall, 'Catherine Yass, Central Club Hote 'l', The Independent, 6 February
1998 'Sites of Absence', Contemporary Visual Arts, issue 20
Richard Cork, 'New Art From Britain', catalogue text
1997 Robin Muir, 'Photo Finish', Vogue, January
Gunnie Moberg, 'Deep, Dark Vision of Mortality', Scotland on Sunday, 9 March
Duncan Macmillan, 'Exits to Eternity', The Scotsman, 10 March
Ralph Hughes, 'Catherine Yass', Galleries, March
Melissa Feldmann, 'Six Projects', Art Monthly, April, no 205
Katja Blomberg, 'Die Wuerde des Lichtschalters', Frankfurter Allgemeine Zeitung, 17 June, no 137, page 39
Parveen Adams & David Ward, 'The Light and the Blue', Portfolio, June, no 25
Angela Levine, 'Adami's Puzzles', Jerusalem Post, October
1996 James Hall, 'The British Art Show 4', Artforum, March
Sarah Kent, 'Inner London', Time Out, 13-20 March, no. 1334
Tania Guha, 'Catherine Yass', Time Out, 10-17 July
Tania Guha, 'Corridors', Portfolio (Catalogue of Contemporary Photography in Britain), no. 21
Libby Anson, 'Luscious, Flayed and Brutal', Make, August/September, no. 71
Martin Herbert, 'Catherine Yass', Dazed & Confused, Novermber, no. 25
1995 Jane Richards, 'Tunnel Visions', The Independent, 12 January
Mark Currah, 'C. Yass, C.Wood & A. Rossi', Time Out, 12-19 April
Adrian Searle, 'Faces to watch in the art world: Catherine Yass', The Independent, Tuesday 4 July
Martin Maloney, 'Catherine Yass', Flash Art, October, no. 184
James Hall, 'Through the mind's eye', The Guardian, Tuesday 14 November
Waldemar Januszczak, 'Absent Trends', The Sunday Time 's, 19 November
John Stathatos, 'Away from the Pack?: British Art Show 4', Untitled, Winter, no. 9
Robert Garnett, 'The British Art Show 4', Art Monthly, December/January, no. 192
Martin Maloney, 'Glitz and Thrift', Blueprint, December, no. 123
Nick Hallam, 'Springfield Hospital Corridors', Art & Design, no. 44
1994 Simon Grant, 'Ready for my close up', Art Review, December/January
Richard Cork, 'At Home with the Modern', The Times
1993 Michael Archer, 'Catherine Yass', Artforum, January
Althea Greenan, 'Risky Business', Woman's Art, January/February, no. 50
1992 Caryn Faure Walker, 'Discretion', Time Out, 8-15 April
William Feaver, 'Maid Eternal (Discretion)', The Observer, 17 May
James Hall, 'Art is the loser in a photo-finish', The Guardian, 13 May
William Feaver, 'Art (Exhibit A)', p The Observer, 17 May
Sarah Kent, 'Photo copies (Exhibit A)', Time Out, 20-27 May
Michael Archer, 'Anomie', Art Monthly
Greg Hilty, 'On the Brink', Frieze, June-August, issue 5
David Lillington, 'Catherine Yass', Time Out, 4-11 November
1991 John Russell Taylor, 'Conceivably, They're Masterpieces', The Times, 16 April
David Lillington, 'Ace of Arts', Time Out, 17-24 April
Andrew Renton, 'A New Internationalism', Frieze, pilot issue
Mary Anne Francis, 'London Summer Round-up', Art Monthly, September
Ruth Barter, 'England in Review', Arts Magazine, November, vol 66, no 3
1990 Andrew Graham-Dixon, 'Join the Professionals', The Independent, February
 
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