| Catherine Yass is contactable through asprey jacques 020 7287 7675 | |
| Catalogues | |
| 2001 |
Catherine Yass. Star, published by The British Council for the 10th Indian Biennale; text by Vikram Chandra |
| 2000 | Catherine Yass, published by asprey jacques, London; texts by Greg Hilty and Parveen Adams |
| Looking at the Overlooked, published by i8 Gallery, Reykjavik; text by Caryn Faure Walker | |
| Synagogue, pamphlet to accompany Synagogue, (Art in Sacred Spaces), London, 21 May 11 June; texts by Mark Godfrey and Juliet Steyn | |
| Cell, published by i8 Gallery, Reykjavik; text by Caryn Faure Walker | |
| 1999 |
Prime, published by Dundee Contemporary Arts, Dundee; text by Andrew NairneOfficina Europa, published by Mazzotta, Milan; text by Renato Barilli |
| The Glen Dimplex Artists Award 1999, published by Irish Museum of Modern Art, Dublin; texts by Brenda Mc Parland and Sarah Glennie | |
| 1998 | Primavera fotografica, published by Cultura Arts Plastiques, Barcelona; text by Gabriela Salgado |
| New Art From Britain, published by the Kunstraum Innsbruck, Austria; text by Richard Cork | |
| Catherine Yass: Invisible City, pamphlet to accompany the exhibition at Mizuma Art Gallery, Toyko, 4 September 17 October; text by Yumi Umemura | |
| Feeringbury VIII Cultivated, published by Firstsite in association with Curtain Road Arts, Colchester; texts by Stephen Hepworth, Katherine Wood and Sonia Coode-Adams | |
| United in Death, published by Cambridge Darkroom, Cambridge, UK | |
| Officina Europa, published by Gabriele Mazzotta, Milan; texts by Renato Barilli | |
| 1997 |
Private Face Urban Space, published by Hellenic Art Galleries Association, Crete; texts by Katerina Gregos and Henry Meyric Hughes |
| The Citibank Private Bank Photography Prize, published by the Citibank, London; texts by Paul Wombell, Tessa Traeger and Richard Cork |
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| Urbane Legenden, published by the Staatliche Kunsthalle Baden-Baden; texts by Margrit Brehm, Birgit Moeckel, and Jochen Poetter | |
| False Impressions, published by the British School at Rome; text by Alison Jacques | |
| Strange Days British Contemporary Photography, published by Claudia Gian Ferrari Arte Contemporanea, Milan; text by Gilda Williams | |
| Documentary Notes, published by the Public Art Development Trust, London; text by Tania Guha | |
| Surroundings, published by the Museum of Modern Art, Tel Aviv; text byFrancis MacKee | |
| Urban Space Private Face, published by the Hellenic Art Galleries Association; texts by Katerina Gregos and Henry Meyric Hughes | |
| Pictura Britannica Art from Britain, published by the Museum of Contemporary Art,Sydney; texts by Bernice Murphy, Patricia Bickers, Stephen Snoddy, John A. Walker, Tony Bennett, Kobena Mercer, David Barrett, Nikos Papastergiadis and Patrick J. Boylan | |
| Dimensions Variable, Works from the British Council Collection, published by theBritish Council, London | |
| 1996 |
Catherine Yass: Portraits, published by the Aspex Visual Arts Trust in collaborcation with the Laure Genillard, London and the University of Portsmouth; texts byLisa Moran, Valerie Swates, Marc Pimlott and Olivier RichonManifesta 1, published by various sponsors, Rotterdam |
| 1995 | Open House, published by Kettles Yard, Cambridge; introductory text byMichael Harris |
| The Photographic Image, published by Art & Design; text by Nick Hallam | |
| The British Art Show 4, published by the South Bank Centre (National TouringExhibitions), London | |
| 1992 | Discretion, London: Canary Wharf, published by Arts & Events, texts byDavid Batchelor and Mary Anne Francis |
| Brit Art, published by Kunsthaus Glarus; texts by Paolo Bianchi and Christopher Bledowski | |
| Exhibit A, published by the Serpentine Gallery, London; text by Liam Gillick | |
| 1990 | Swimming Underwater, published by Imagination; texts by Dick Hebdige and Nicholas De Ville |
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