Jane Simpson is contactable through asprey jacques 020 7287 7675 | |
Born 1965 Lives and works in London. |
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Education | |
1990-93 | Royal Academy Schools, London Post-Graduate Diploma |
1985-88 | Chelsea School of Art, London BA Honours Fine Art |
Solo Exhibitions |
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2001 | One in the Other, London |
2000 | Fresh, Javier Lopez, Madrid |
asprey jacques, London | |
1999 | 'It Only Takes A Moment (to reach a natural high)', Norrtélje Konsthall, Sweden |
1998 | 'Folly', The Approach, London |
1996 | 'Material Girl', Laurent Delaye Gallery, London |
1994 | 'Jane Simpson Invites You', Marc Jancou Gallery, London |
1993 | 1993 'Eager to Please', Jibby Beane Gallery, London |
Selected Group Exhibitions | |
2001 | Stitched Up - The politics of fashion, Royal Pump Rooms, Leamington Spa |
Not What It Seems, National Glass Centre, Sunderland | |
The Ideal Home Show, Gimpel Fils, London | |
The Happy Face of Globalisation, 1st Biennial of Ceramics in Contemporary Art, Albisola, Italy | |
at home, Lennon, Weinberg, Inc., New York | |
Summer Exhibition, Royal Academy of Arts, London | |
Counter, AVCO, London | |
The Language of Things, Kettles Yard, Cambridge | |
2000 | Soft Core, Joseph Helman, New York |
Candy, SCP, Shoreditch, London | |
1999 | 'My Old Man Said Follow the Van', The Rosemary Branch Theatre, London. |
OMR Gallery, Mexico City. | |
'Officina Europa', Bologna, curated by Renato Barilli Claudia Gian Ferrari Arte Contemporanea, Milan | |
1998 | 'Here to Stay', Arts Council Collection, Plymouth Arts Centre, touring Galerie Jennifer Flay, Paris |
'From Within', Juliet (curated by Paolo Cecchetto), Trieste, Italy Galerie Beaumont, Luxembourg | |
1997 | 'Three Artists' (with Michael Landy, Simon Perriton), Habitat Store, Manchester |
'Invited', Joseph Helman Gallery, New York | |
'Sensation (Young British Artists from the Saatchi Collection)' selected by Norman Rosenthal, Royal Academy of Arts, London touring to Berlin | |
'Clean and Sane', Edsvik Konsthall, Sweden touring to Gallerie F15, Moss Norway | |
'Home', Margaret Harvey Gallery, St.Albans, GB | |
'Three Artists', The Approach Gallery, London | |
'Sarah Staton's Superstore De Luxe', Up+Co, New York | |
1996 | 'Reternity', The National Museum of Sweden, Stockholm |
'Plastic', Richard Salmon Gallery, London touring to Arnolfini Gallery, Bristol, GB and Walsall City Museum of Art, Walsall, GB | |
1995 | 'My Darling Ciccolina', Last Order Gallery, London |
'Just Do It' (curated by Stefan Kalmar), Cubitt Gallery, London | |
'Now Wash Your Hands', Arnolfini Gallery, Bristol, GB touring to Berwick Gymnasium Gallery, Northumberland | |
'Hello', Andrehn-Schiptjenko Gallery, Stockholm Selected group exhibitions contd. | |
1994 | 'Some Went Mad, Some Ran Away' (curated by Damien Hirst), Serpentine Gallery, London touring to: Nordic Arts Centre, Helsinki; Hannover Kunstverein; Museum of Contemporary Art, Chicago; Portalen Museum, Copenhagen |
'The Discreet Charm of the Bourgeoisie', Falklands House, London, GB | |
'Domestic Violence' (curated by Alison Jacques), Gio Marconi, Milan | |
1993 | Royal Academy Summer Show, London |
Riverside Open Exhibition, London | |
Residencies & Awards | |
1999 | IASPIS fellow to Gteborg |
Artist in Residence, Shoreditch Town Hall Trust, London | |
Catalogues | |
2001 |
'The Happy Face of Globalization', published by the Biennale di Ceramica nell'Arte Contemporanea, Milan |
Counter, published by AVCO, London; text by Malcolm Quinn | |
The Language of Things, published by Kettles Yard, Cambridge, UK; preface by Michael Harrison, text by Ian Jeffrey | |
1999 | 'It Only Takes a Minute, (to reach a natural high)', Norrtélje Konsthall, Sweden don |
'From Within', essays by Paolo Cecchetto & Marina Wallace, published by Juliet Editrice | |
1998 | 'Here to Stay', text by Susan May (ISBN 1 85 332 1850), Arts Council Published |
1997 | 'Sensation - Young British Artists from the Saatchi Collection' essays by Norman Rosenthal, Lisa Jardine, Martin Maloney and Richard Shone, published by The Royal Academy of Arts in association with Thames and Hudson (ISBN 1 873 50 01) |
1996 | 'Plastic' essay by Neil Cummings, published by Arnolfini Gallery, Bristol in conjunction with Richard Salmon Gallery, London (ISBN 1873 5001) |
1995 | 'My Darling Ciccolina' printed by Filef, London |
'Now Wash Your Hands' essay by Josephine Lanyon and Rebecca Fortnum. Printed by Arnolfini Gallery, Bristol (ISBN 0302 00648 6) | |
1994 | 'Shark Infested Waters: The Saatchi Collection of British Art in the 90s' essays by Sarah Kent, published by Zwemmers (ISBN 0302 00648 6) |
'Some Went Mad, Some Ran Away' essay by Richard Shone published by Serpentine Gallery, London (ISBN 1 8 70814 81 9) | |
1993 | 'Royal Academy Illustrated Catalogue (Highlights of Summer Exhibition)' published by The Royal Academy of Arts, London |
Articles | |
2001 | Helen Sumpter, 'Jane Simpson', Hot Tickets, Evening Standard, September 28-October 4 |
Helen Sumpter, 'The Ice Maiden's Tupperware Party', The Big Issue, August 20-26 | |
Sally O'Reilly, 'Jane Simpson', Time Out, September 12-19 | |
Mark Wilsher, Tupperware party, Whats On in London, August 15-2 | |
Counter, review of exhibition at AVCO, CVA, April/May | |
Johnson; 'Soft Core', Art Guide in The New York Times, January 12 | |
'Soft Core', The New Yorker, January 8 | |
Levin; 'Soft Core', Voice, January 2 | |
'Season's Cleanings', New York, January 1 | |
2000 | J.C.R, Jane Simpson, Arte y Parte, December / January 2001 |
Alicia Murría; Lápiz, December, no. 168 | |
Exposiciones, Antiqvaria, December, no. 189 | |
Abel H. Pozuelo; Jane Simpson, El Cultural, November 22 28 | |
Catarina Testart; Magisk skulptur, Göteborgs-Posten, April 12 | |
Lotta Bergström; Jane Simpson utforskar föremålen i vår vardag, Stockholm Observer, April 11 | |
Gunilla Grahn-Hinnfors; Veckans Vågvisare, Göteborgs-Posten, April 8 | |
Jan Bergman; Iskall brutalpoesi i stål, Arbetet Ny Tid, April 8 | |
Emma Smith; Jane Simpson, Art Monthly, March Gilda Williams; Jane Simpson, Time Out, February 23 March 1 | |
Mark Godfrey; Jane Simpson, www. the gallery channel, February |
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Jonathan Jones; Jane Simpson;, The Guardian Guide, February 18 | |
Louisa Buck; UK Artist Q&A, The Art Newspaper, February , no.100 | |
Robin Dutt; Cool Iced Gems, Evening Standard, February 16 | |
Simon Grant; Exhibition Diary, The World of Interiors, January | |
Robin Dutt; Jane Simpson, Whats On, February 9 16 | |
1999 | Helen Sumpter; Galleries Choice, Hot Tickets, January 29 |
Simon Grant; Household Objects, The Guardian Guide, January 22 28 | |
Gunilla Grahn Hinfors, 'Interview' Paletten, June | |
Milou Allerholm, 'En drom i plast' (review of Norrtalje konsthall) Dagens Nyheter, March 19. | |
Sue Hubbard, 'Beyond the Body', Contemporary Visual Arts, (illus.), issue 22, pp.40-45 | |
1998 | Felicity Lunn, 'Artist in Focus', Royal Academy Magazine, Autumn |
Sue Hubbard, 'Jane Simpson at The Approach', Time Out, Sept 30 - Oct 7 Roy Exley, 'Raids on the Beautiful', Contemporary Visual Arts Magazine Issue 17, February | |
John Windsor, 'How to Buy a Damien Hirst for Ł120 (review of multiples at the ICA)', The Independent, 17 December | |
Adrian Searle, 'Feeling Frenzy (review of Sensation)', The Guardian, 16 September | |
1997 | Paolo Cecchetto, 'Jane Simpson', Juliette Magazine, June |
Martin Herbert, 'Liz Arnold, Jane Sim upson, Daniel Sturgis' Time Out, 26 March | |
James Hall, 'Jane Simpson at Laurent Delaye Gallery', Artforum, February e | |
1996 | Sacha Craddock, 'Around the Galleries' The Times, 15 October |
Tania Guha, 'Jane Simpson, Laurent Delaye Gallery' Time Out, 16 October | |
1995 | Milou Allerholm, 'Jane Simpson Traverses Tupperware' (interview), Material (Contemporary Art Journal of Scandanavia), May |
James Yood, 'Some Went Mad, Some Ran Away' Artforum, June | |
Adrian Searle, 'Lydia Donna and Jane Simpson at Marc Jancou Gallery', Time Out, 16 November | |
1994 | Adrian Dannatt, 'Some Went Mad, Some Ran Away', Flash Art, Jun |
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